In an age when celebrities seem willing to confess every and all of their foibles and failings, Chris O'Donnell seems like an anomaly. Variously labeled by the press as "The Last Boy Scout" or "Mr. Squeaky Clean", he is an actor whose ordinary, decent personal life has translated to the screen in wholesome, regular guy roles. Blandly attractive, but possessing enough gravity to be a compelling screen presence, he has provided able support to some of cinema's powerful personalities (e.g., Jessica Lange, Al Pacino) as well as proving a successful light comedian, It was only when he attempted to translate his straight-laced, preppy persona and instinctual approach to performing into a dramatic leading man (as in 1997's "The Chamber") that he stumbled.
Welsh-born actress Catherine Zeta-Jones first captivated U.S. film audiences with her swashbuckling turn in “The Mask of Zorro” (1998) – leaving moviegoers so mesmerized by her ebony-tressed old Hollywoodesque beauty, it was a wonder she was able to move beyond all the comparisons to Ava Gardner and Vivien Leigh – enough to garner respect as a serious actress. It was her impressive turn in “Traffic” (2000) and Oscar-winning scenery-chewing for her musical showstoppers in “Chicago” (2002) which firmly established her as a Hollywood A-lister. That, and a fairytale-likened marriage to one of the industry’s most respected actors-producers, Michael Douglas; thusly, entry into one of Hollywood’s most famous and respected families.
A gifted performer who developed her talent at a young age, Cate Blanchett grew into exceptional actress who achieved international acclaim with her stunning Oscar-nominated turn as a young Elizabeth I in Shekhar Kapur’s “Elizabeth” (1998). Prior to that role, the engaging Australian found herself thrust in the spotlight with just her third feature, "Oscar and Lucinda" (1997), starring opposite Ralph Fiennes. As the headstrong proto-feminist heiress whose penchant for gambling draws her to a clergyman with the same predilections, Cate Blanchett delivered a star-making performance that garnered the attention of filmdom’s most esteemed directors. Alluring, yet elusive and possessing an innate intelligence coupled with malleable features – she sometimes seemed plain, but beautiful, often in the same shot – the actress quickly rose to international fame to become one of Hollywood’s most respected and revered talents.
While still in his twenties, the likeable and low-key Casey Affleck, who enjoyed a slow and steady rise as an actor, saw the show business mechanics from the inside out while watching his older brother Ben Affleck gain meteoric Hollywood success – as well as the inevitable and subsequently vicious backlash. Still, the younger Affleck saw himself on another path, eschewing studio-produced Frankenstein projects in favor of eclectic character parts. The promise of his early work in “To Die For” (1995) and “Good Will Hunting” (1997) did eventually lead him to the blockbuster types like “Ocean’s Eleven” (2001) and its star-packed sequels. While nestled comfortably into one of Hollywood’s most entertaining ensembles, Affleck still found a way to comfortably transform in a variety of projects, creating a witty, quirky onscreen persona along the way.
that underserved their performer’s charisma. By the end of 2000, Garcia’s ability to play biographical figures and his obsession with music brought him back to television as legendary trumpeter Arturo Sandoval in HBO’s “For Love or Country: The Arturo Sandoval Story” (2000). For his work, he netted two 2001 Emmy nominations – one as its lead; the other as its producer.
espite a Quaker upbringing, actress Amanda Peet has depicted some wildly offbeat—and often risqué—characters throughout her career. Born in New York, NY on January 11, 1972, Peet attended the Friends Seminary until she was 7-years-old, when her family moved to London. Four years later, the family returned to New York where Peet continued her Quaker education before attending Columbia University where she earned a degree in American History.
