The third son of actor Martin Sheen, intense, square-jawed Charlie Sheen exploded into the public's consciousness as the narrator-grunt of Oliver Stone's autobiographical Vietnam War picture "Platoon" (1986), a deja vu of sorts that returned him to the Philippines, the scene of his first feature film (as an extra), Francis Ford Coppola's "Apocalypse Now" (1979), starring his father. That performance coupled with his role as Michael Douglas' unscrupulous protégé whose naked ambition leads him into conflict with his blue-collar father (played by his real-life dad) in Stone's "Wall Street" the following year, catapulted him to the status of one of the hottest young actors in Hollywood. Since then, Sheen has worked prolifically, but for much of the 90s, it was his profligacy that earned the biggest headlines and arguably prevented him from fulfilling his early promise.

 Lithe, graceful Bridget Fonda represents the third generation of the Fonda acting dynasty. Granddaughter of Henry and daughter of Peter, she succumbed to the acting bug after appearing in a high school production of "Harvey". After studying theater at NYU's Tisch School of the Arts (where she played the lead in Andrew Fleming's student short "P.P.T."), Fonda made her professional screen debut in Franc Roddam's "Tristan and Isolde" segment of "Aria" (1987), in a role requiring nudity and little else.

This affable blond performer took a decade to advance from second lead and character actor to starring status. Like James Stewart in an earlier generation, the unthreatening, wholesome Pullman labored through small parts in good films and leading roles in bombs before finally coming into his own. A doctor's son, he earned his MFA from the University of Massachusetts and then worked in construction and as a drama teacher and director before trying acting.