Welsh-born actress Catherine Zeta-Jones first captivated U.S. film audiences with her swashbuckling turn in “The Mask of Zorro” (1998) – leaving moviegoers so mesmerized by her ebony-tressed old Hollywoodesque beauty, it was a wonder she was able to move beyond all the comparisons to Ava Gardner and Vivien Leigh – enough to garner respect as a serious actress. It was her impressive turn in “Traffic” (2000) and Oscar-winning scenery-chewing for her musical showstoppers in “Chicago” (2002) which firmly established her as a Hollywood A-lister. That, and a fairytale-likened marriage to one of the industry’s most respected actors-producers, Michael Douglas; thusly, entry into one of Hollywood’s most famous and respected families.
While still in his twenties, the likeable and low-key Casey Affleck, who enjoyed a slow and steady rise as an actor, saw the show business mechanics from the inside out while watching his older brother Ben Affleck gain meteoric Hollywood success – as well as the inevitable and subsequently vicious backlash. Still, the younger Affleck saw himself on another path, eschewing studio-produced Frankenstein projects in favor of eclectic character parts. The promise of his early work in “To Die For” (1995) and “Good Will Hunting” (1997) did eventually lead him to the blockbuster types like “Ocean’s Eleven” (2001) and its star-packed sequels. While nestled comfortably into one of Hollywood’s most entertaining ensembles, Affleck still found a way to comfortably transform in a variety of projects, creating a witty, quirky onscreen persona along the way.
that underserved their performer’s charisma. By the end of 2000, Garcia’s ability to play biographical figures and his obsession with music brought him back to television as legendary trumpeter Arturo Sandoval in HBO’s “For Love or Country: The Arturo Sandoval Story” (2000). For his work, he netted two 2001 Emmy nominations – one as its lead; the other as its producer.
