Despite having all the necessary tools to become a star – looks, talent, presence – actor Christian Bale lacked one necessary ingredient at the start of his career: tolerance for being in the spotlight. After achieving instant celebrity after being tapped by Steven Spielberg to star in his epic period film, “Empire of the Sun” (1987), Bale suddenly discovered that he hated dealing with publicity. Instead of faking his way through interviews and junkets, he mentally bailed out, sometimes sitting through an entire session without answering, and occasionally flat out refusing to participate. But as he got older, he realized that the publicity aspect of acting was vital to his success, so he grew more and more comfortable with every new career landmark – “Little Women” (1994), “American Psycho” (2000) and “Batman Begins” (2005), chief among them.

Trying to cast the lead role of Mel Coplin, an adoptee searching for his biological parents in the wake of his own son's birth in the comedy "Flirting With Disaster" (1996), writer-director David O. Russell knew what he wanted: "a young Dustin Hoffman type, who was kind of urban, kind of smart and ethnic." Ben Stiller, the only son of the venerable husband-and-wife comedy team of Jerry Stiller and Anne Meara, convinced Russell that he could fill the bill. Increasingly busy before and behind the camera, the curly-haired, quirkily handsome actor-writer-director seemed well poised to become the poster boy for Generation X era comedy--regardless of his stated discomfort with such a designation. With decisive roles played by nepotism, "Saturday Night Live" and MTV, Ben Stiller's swift career trajectory may be somewhat paradigmatic to those for whom the name "Barrymore" evokes "Drew" before "John" or "Lionel".