For a world filled with comic book fans, Christopher Reeve had for years been the definitive Superman. For thousands suffering with paralysis and spinal cord injuries, in one tragic moment, he morphed suddenly from an actor perfectly cast onscreen, to a real-life personal inspiration and a champion of medical research and healthcare reform. Standing six-foot-four and sporting a jaw as square as his illustrated predecessor, the then-unknown Reeve became an overnight success when he was cast in “Superman: The Movie” (1978) – most notable for his evenhanded portrait of both the character’s sensitive vulnerability and commanding power in the face of injustice – all the while, wearing tights and a cape. Despite playing such an iconic role, he resisted typecasting in the wake of the film series’ success, sticking close to his original love of live theater when Hollywood failed to deliver worthy scripts.

 Lithe, graceful Bridget Fonda represents the third generation of the Fonda acting dynasty. Granddaughter of Henry and daughter of Peter, she succumbed to the acting bug after appearing in a high school production of "Harvey". After studying theater at NYU's Tisch School of the Arts (where she played the lead in Andrew Fleming's student short "P.P.T."), Fonda made her professional screen debut in Franc Roddam's "Tristan and Isolde" segment of "Aria" (1987), in a role requiring nudity and little else.