A blonde Southern beauty with a fearless attitude – which some described over the years as foolhardy – Cybill Shepherd was a former beauty queen who rose to fame in the early 1970s, after a star-making turn in director Peter Bogdanovich’s Oscar-winning “The Last Picture Show.” Her fame waned by the middle of the decade, thanks to a string of flops and a highly public break-up with her Svengali director/boyfriend, Bogdanovich, but she returned with a vengeance as the sassy P.I. Maddie Hayes on the smart TV comedy, “Moonlighting” (ABC, 1985-89) and as campier TV version of herself on the hit sitcom, “Cybill” (CBS, 1995-98).

A tall, soft-spoken and leathery leading man who, since the 1960s, has diversified into directing and producing after achieving iconic status, Clint Eastwood arose from the world of television westerns to become the number-one box-office star in the world, and subsequently earned critical acclaim as a director. His production company, Malpaso, has crafted moderate-budget features that range from mainstream fare to personal and ambitious endeavors. Eastwood is not entirely part of the Hollywood establishment—his business is run out of Carmel, California, on the Monterey Peninsula, where he has also served as mayor and ran a restaurant.

To look upon the face of Claire Danes is to discover an exquisitely expressive canvas for all the emotional colorings of life. This remarkably self-possessed young performer brought startling authenticity as well as intelligence and complexity to her starring role in the landmark high school/family drama "My So-Called Life" (ABC, 1994-95). Danes' often heartrending portrayal of a fifteen-year-old coping with the rigors of adolescence contributed to the cult series' avalanche of kudos and won a Golden Globe Award and an Emmy nod for its rising star. The low-rated, short-lived program counted Steven Spielberg and Winona Ryder among its followers.

 A child star who enjoyed that rare successful transition to onscreen adulthood, Christina Ricci’s continuing film presence was aided in no small part by the fact that her early roles did not depend on dimpled cuteness, but on an unnerving maturity that suggested her characters were smarter than their adult counterparts. Ricci spent her teens as a gloomy, precocious lead in Goth-tinged big budget comedies and heavier independent dramas – all of which best showcased her flair for unconventional teen females burdened by fear and identity issues. As the actress matured, she enjoyed increasing respect from the art house crowd, but had difficulty translating her persona as an intelligent, tough-talking, yet vulnerable outsider into the limited confines of Hollywood female characters.

 Christina Applegate first rose to fame as a teenager, playing the angel-faced yet promiscuous halfwit, Kelly Bundy, on Fox’s gleefully trashy sitcom "Married... With Children" (1987-1997). She had been a working actress since she was an infant, but Applegate managed to escape the fate of so many child actors by steering clear of the seductive Hollywood lifestyle; instead carving out a respectable adult career with her own sitcom “Jesse” (1998-2000) and a recurring role as Rachel’s sister on “Friends” (NBC, 1994-2004), which earned her her first Emmy Award.

 Christina Applegate first rose to fame as a teenager, playing the angel-faced yet promiscuous halfwit, Kelly Bundy, on Fox’s gleefully trashy sitcom "Married... With Children" (1987-1997). She had been a working actress since she was an infant, but Applegate managed to escape the fate of so many child actors by steering clear of the seductive Hollywood lifestyle; instead carving out a respectable adult career with her own sitcom “Jesse” (1998-2000) and a recurring role as Rachel’s sister on “Friends” (NBC, 1994-2004), which earned her her first Emmy Award.

 A vibrant, toothpick-thin comedian, actor and writer whose stand-up material has often dared to take on the African-American establishment yet found the universality in the American experience, Chris Rock became the favored comic de jour after distinguishing himself on NBC's "Saturday Night Live" from 1990-93. He later headlined two HBO specials and launched his own talk show "The Chris Rock Show" on HBO in 1997.

 South African actress Charlize Theron made Oscar and Golden Globe-worthy impressions with heavy-hitting dramatic roles which often saw her struggling to survive oppressive environments. Theron’s own experiences surviving the strife of an unstable childhood home gave her a strong perspective, as did the strong-willed independence that inspired her to head to Europe and begin a professional modeling career while she was still a teenager. But if the 5’10” blonde was misdiagnosed as merely an actress-turned-model for her early supporting roles, that persona was shattered with a pair of Oscar-nominated starring performances in “Monster” (2003) and “North Country” (2005); both portraits of two women who came to deal with second-class citizen status in very different ways.

 The third son of actor Martin Sheen, intense, square-jawed Charlie Sheen exploded into the public's consciousness as the narrator-grunt of Oliver Stone's autobiographical Vietnam War picture "Platoon" (1986), a deja vu of sorts that returned him to the Philippines, the scene of his first feature film (as an extra), Francis Ford Coppola's "Apocalypse Now" (1979), starring his father. That performance coupled with his role as Michael Douglas' unscrupulous protégé whose naked ambition leads him into conflict with his blue-collar father (played by his real-life dad) in Stone's "Wall Street" the following year, catapulted him to the status of one of the hottest young actors in Hollywood. Since then, Sheen has worked prolifically, but for much of the 90s, it was his profligacy that earned the biggest headlines and arguably prevented him from fulfilling his early promise.

 Welsh-born actress Catherine Zeta-Jones first captivated U.S. film audiences with her swashbuckling turn in “The Mask of Zorro” (1998) – leaving moviegoers so mesmerized by her ebony-tressed old Hollywoodesque beauty, it was a wonder she was able to move beyond all the comparisons to Ava Gardner and Vivien Leigh – enough to garner respect as a serious actress. It was her impressive turn in “Traffic” (2000) and Oscar-winning scenery-chewing for her musical showstoppers in “Chicago” (2002) which firmly established her as a Hollywood A-lister. That, and a fairytale-likened marriage to one of the industry’s most respected actors-producers, Michael Douglas; thusly, entry into one of Hollywood’s most famous and respected families.