Wow, it’s been a crazy week for Twilighters, hasn’t it? Now, only six days after director Catherine Hardwicke parted ways with the fall’s biggest franchise, it is official: Chris Weitz has been handed the keys to the kingdom.

“I am honored to have been entrusted with shepherding ‘New Moon’ from the page to the screen,” Weitz said in a statement released today, discussing his involvement with Stephenie Meyer’s second novel. “The extraordinary world that Stephenie has created has millions of fans, and it will be my duty to protect on their behalf the characters, themes and story they love. This is not a task to be taken lightly, and I will put every effort into realizing a beautiful film to stand alongside a beautiful book.”

A tall, soft-spoken and leathery leading man who, since the 1960s, has diversified into directing and producing after achieving iconic status, Clint Eastwood arose from the world of television westerns to become the number-one box-office star in the world, and subsequently earned critical acclaim as a director. His production company, Malpaso, has crafted moderate-budget features that range from mainstream fare to personal and ambitious endeavors. Eastwood is not entirely part of the Hollywood establishment—his business is run out of Carmel, California, on the Monterey Peninsula, where he has also served as mayor and ran a restaurant.

The former blue-collar worker from Ohio with the prominently jutting ears became the 'King of Hollywood', a title based on his being the leading male box office attraction throughout the 1930s. The dashing, mustachioed image of Rhett Butler in "Gone with the Wind" (1939) remains indelibly associated with the name Clark Gable, but before his "Frankly, my dear, I don't give a damn" made screen history, Gable (with the aid of his MGM publicist Howard Strickland) had already established a distinctive screen persona as the virile, lovable rogue whose gruff facade only thinly masked a natural charm and goodness.

 Christopher Walken is that rare actor who made the successful transition from child player to adult star. Born and raised in Astoria, Queens, he studied dance as a youngster and, from the age of 10, appeared in live musicals and dramas in the so-called "Golden Age of Television" in the 1950s. (He also occasionally traded off with his brother Glenn playing the character of Mike Bauer on the CBS daytime serial "Guiding Light" between 1954 and 1956.) The tall, angular blue-eyed performer was in his mid-teens when he made his Broadway debut (then billed as 'Ronnie' (short for Ronald) Walken) in Archibald MacLeish's award-winning verse play "J.B." in 1959.

 For a world filled with comic book fans, Christopher Reeve had for years been the definitive Superman. For thousands suffering with paralysis and spinal cord injuries, in one tragic moment, he morphed suddenly from an actor perfectly cast onscreen, to a real-life personal inspiration and a champion of medical research and healthcare reform. Standing six-foot-four and sporting a jaw as square as his illustrated predecessor, the then-unknown Reeve became an overnight success when he was cast in “Superman: The Movie” (1978) – most notable for his evenhanded portrait of both the character’s sensitive vulnerability and commanding power in the face of injustice – all the while, wearing tights and a cape. Despite playing such an iconic role, he resisted typecasting in the wake of the film series’ success, sticking close to his original love of live theater when Hollywood failed to deliver worthy scripts.

 Hailed by The Los Angeles Times, as quite simply, "the coolest actor in the world," the endearingly plebeian, yet strikingly handsome Chow Yun-Fat was a fixture of Hong Kong film and TV since his debut in the early 1970s. Most celebrated by American and British cultists as a hard-boiled action hero, Chow specialized in portrayals of honorable hitmen, gangsters, thieves and trigger-happy cops. A bona fide superstar in his native Asia, Chow‘s extensive credits spanned a variety of genres, including romances, dramas, slapstick comedies and supernatural thrillers. A favorite of both common folk and cinephiles alike, Chow segued effortlessly between commercial and artsy fare. Moreover, Chow came to define "cool" with his signature handling of cigarettes and firearms with equally devastating flair.

 A slender blonde actress with good looks better described as striking than pretty, Chloe Sevigny was generating buzz in her adopted New York home even before the independent film world showcased her onscreen allure. Sevigny emerged from her tony Darien, Connecticut background with both the grace of privilege and the awkwardness of an outsider, a duality that shaped her beguiling persona and added dimension to her screen presence.

 Welsh-born actress Catherine Zeta-Jones first captivated U.S. film audiences with her swashbuckling turn in “The Mask of Zorro” (1998) – leaving moviegoers so mesmerized by her ebony-tressed old Hollywoodesque beauty, it was a wonder she was able to move beyond all the comparisons to Ava Gardner and Vivien Leigh – enough to garner respect as a serious actress. It was her impressive turn in “Traffic” (2000) and Oscar-winning scenery-chewing for her musical showstoppers in “Chicago” (2002) which firmly established her as a Hollywood A-lister. That, and a fairytale-likened marriage to one of the industry’s most respected actors-producers, Michael Douglas; thusly, entry into one of Hollywood’s most famous and respected families.

 A gifted performer who developed her talent at a young age, Cate Blanchett grew into exceptional actress who achieved international acclaim with her stunning Oscar-nominated turn as a young Elizabeth I in Shekhar Kapur’s “Elizabeth” (1998). Prior to that role, the engaging Australian found herself thrust in the spotlight with just her third feature, "Oscar and Lucinda" (1997), starring opposite Ralph Fiennes. As the headstrong proto-feminist heiress whose penchant for gambling draws her to a clergyman with the same predilections, Cate Blanchett delivered a star-making performance that garnered the attention of filmdom’s most esteemed directors. Alluring, yet elusive and possessing an innate intelligence coupled with malleable features – she sometimes seemed plain, but beautiful, often in the same shot – the actress quickly rose to international fame to become one of Hollywood’s most respected and revered talents.